I look to subtlety and nuance as the foundation for my aesthetic.  The essence that I seek in this aesthetic is a stripped, almost brutal, rawness.

My forms are spare, with large, simple areas, heavy textures, weighty bases, and substantial rims and attachments.  I focus on the foot and the rim of a form, leaving them intentionally rough and crude to provide definition. I use asymmetrical elements in the forms to impart vitality and plasticity in the fired work.
    
Ash glazes have become the essential focus in integrating form and surface in my work.  I use a fairly limited number of glaze recipes, applying slips for variability of surface texture and color.  These variations often are not visible at first glance but later reveal additional layers to the eye  
    
I want my pots to engage people where they live and to play a part in their savoring of life.  I make my pots to be part of people’s homes, celebrations and private moments.  My pots are directly about food and flowers, cooking and display.   For me, a successful pot is one that inspires the viewer to imagine serving a favorite recipe, displaying their garden’s blooms, or enjoying the sensual pleasures of a quiet dinner at home.  These are simple pots, with quiet but robust surfaces, made in a scale meant to convey generosity.